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Music in Stephen Hero
At least as autobiographical as A Portrait of the Artist as a Young Man, but without that book's subtle artifice, the existing fragment of Joyce's first full-length novel provides some insight into the creative methodologies of genius. As the first draft of what was later to become A Portrait, this book has resemblances to — and differences from — its literary descendent that are both equally striking. For example, the Ur-Stephen of this book, though still brilliant, is at once too severe and insufferably arrogant, and so lacks the ability to arouse much sympathy in the reader. Similarly, Joyce's use of music and musical allusions in Stephen Hero, like his employment of other narrative devices, seems obvious, didactic, and almost hopelessly crude. Of special interest to visitors of this site, however, is the scene in the book in which Father Moran recommends to Stephen the virtues of the Protestant hymn "The Holy City":
Here, Father Moran's mention of the song is an attempt to soften somewhat Stephen's cold, intellectual severity. "The Holy City," of course, with its line about "the new Jerusalem," is an anthem that Joyce was later to use to huge comic effect in the Circe episode of Ulysses, where it is presented as a paean to a utopian Dublin, or "new Bloomusalem," as Bloom imagines it flourishing under his benign leadership. |
Albany, New York :: Boston, Mass. :: Essen, Germany
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